A Visit to Agra
It was January 2003.1 woke up before dawn and took the Shatabdi Express at 6.15 a.m. from Delhi bound for Agra. I met a newly married couple who belonged to Himachal Pradesh. We talked with one another and got off the train. I entered the once grand city, Agra. I saw the dense traffic, numerous rickshaw pullers, cars, people and vendors selling religious artifacts, plastic toys, spices and sweets. I went to the Taj Mahal which is one of the seven wonders of the world. It was entirely of white marble and had a magical quality of colour changing with varying of light and shadow. The white marble of Taj Mahal has gemstones of multi coloured engraved in it. The reflection of the Taj Mahal could be seen in the pond. There were many tourists, school children and tourist guides.
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Overview: Kathmandu
Vikram Seth describes visiting Kathmandu, Nepal. He contrasts two temples: Pashupatinath (Hindu — chaotic, bustling with rituals, priests, funeral pyres, and devotees) and Baudhnath/Boudhanath (Buddhist — serene, meditative, with monks and prayer wheels). He wanders through Kathmandu's vibrant streets, buys a flute, and reflects on music as a universal language. He decides to return to Delhi by bus rather than fly, valuing the journey over speed.
Key Points
- Pashupatinath: Hindu temple — chaotic, bustling with rituals and funeral pyres
- Baudhnath: Buddhist stupa — serene, calm, meditative atmosphere
- Striking contrast between the two religious sites
- Kathmandu streets: vibrant markets, cosmetics, fruit sellers, flute sellers
- Seth buys a small flute — reflects on music as universal language
- Decides to travel by bus instead of flying back to Delhi
- Values the journey over the destination
- Descriptive, reflective prose style
- Theme: cultural diversity, music transcends boundaries
- Theme: the value of experiencing the journey
Frequently Asked Questions
How does Seth contrast Pashupatinath and Baudhnath?
What does the flute symbolise?
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