28th August, 20XX
Dear Diary,
Today I feel pleasure to note down my experience to the visit to Pashupatinath Temple in Kathmandu with Vikram Seth. The visit was indeed exciting for me, though there was too much tumult at Pashupatinath Temple. I saw crowds of priests, hawkers, devotees, tourists at the temple. We offered a few flowers to God. Inside the temple I saw a large number of worshippers trying to get the priest’s attention and some of them were elbowed aside by others who were pushing their way to the front.
Outside the temple, I saw a party of saffron- clad westeners struggle for permission to enter the temple. The policeman did not allow them to enter the temple because they were not Hindus.
There is no doubt that the place is worth visiting. We feel aesthetic satisfaction by visiting such religious place.
Mayank
Overview: Kathmandu
Vikram Seth describes visiting Kathmandu, Nepal. He contrasts two temples: Pashupatinath (Hindu — chaotic, bustling with rituals, priests, funeral pyres, and devotees) and Baudhnath/Boudhanath (Buddhist — serene, meditative, with monks and prayer wheels). He wanders through Kathmandu's vibrant streets, buys a flute, and reflects on music as a universal language. He decides to return to Delhi by bus rather than fly, valuing the journey over speed.
Key Points
- Pashupatinath: Hindu temple — chaotic, bustling with rituals and funeral pyres
- Baudhnath: Buddhist stupa — serene, calm, meditative atmosphere
- Striking contrast between the two religious sites
- Kathmandu streets: vibrant markets, cosmetics, fruit sellers, flute sellers
- Seth buys a small flute — reflects on music as universal language
- Decides to travel by bus instead of flying back to Delhi
- Values the journey over the destination
- Descriptive, reflective prose style
- Theme: cultural diversity, music transcends boundaries
- Theme: the value of experiencing the journey
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How does Seth contrast Pashupatinath and Baudhnath?
What does the flute symbolise?
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